Haru no Kyoku
春の曲
| [Жанр] | Сокёку |
| [Стиль] | Meiji Shinkyoku |
| [Школа] | Ikuta Ryû - 生田 |
| [Сочиненная] | Yoshizawa Kengyō II - Кото |
История (Tsuge Gen'ichi):
| Haru no kyoku ('Ode to Spring') is one of a set of pieces originally composed for voice and koto called Kokin no kumi which consists of five pieces: four odes to the seasons, and Chidori no kyoku ('Song of Plovers'). All the six waka poems sung in this piece are taken from the Books One and Two (Songs of Spring) of the Kokin waka shu. The long instrumental interlude tegoto, inserted between the fourth and fifth waka, was not originally composed by Yoshizawa, but added later by Matsuzaka Shun'ei (1854-1920) of Kyoto. |
Поэма (translated by Tsuge Gen'ichi)
| If the bush warbler Did not sing From the valleys, Who would know The coming of spring? Though deep in the mountains Snow still covers the pines, In the capital People gather young shoots From the fields! If the cherry blossom were not known To our world, Perhaps our hearts would be Peaceful at spring time. On horseback We go to the old capital At Nara; See how the blossoms are scattered Whiter and deeper than snow! Will only passing strangers Glance back and see The wisteria in bloom, Billowing in waves On my cottage? Sing, warbler, sing! Never cease your song! For spring Comes only Once a year. | (maebiki) Uguisu no tani yori izuru koe nakuba haru kuru koto wo tare ka shiramashi Miyama ni wa matsu no uki dani kienaku ni miyako wa nobe no wakana tsumikeri Yononaka ni taete sakura no nakariseba haru no kokoro wa nodokekaramashi Koma nabete iza miniyukan furusato wa yuki to nomi koso hana wa chirurame (tegoto) Waga yado ni sakeru fujinami tachikaeri sugigate ni nomi kito no miruran Koe taezu nakeya uguisu hitotose ni futatabi to dani kubeki haru ka wa |
Haru no Kyoku appears on the following albums
| Альбом | Исполнитель | |
 | Fascination of the Koto 4 |
Voice : Yonekawa Toshiko Кото : Yonekawa Toshiko Voice : Satō Chikaki Кото : Satō Chikaki |
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Composed by Yosizawa kengyo II (1801/08-1872). He composed numerous koto pieces using the tanka poems included in the Kokin waka syuu. This particular piece represents the progression from early spring to the end of spring. The composer invented the tuning specific to these pieces by adding semi-tone pregressions to an anhemitonic (without any half tone steps) tuning of the gagaku koto.
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| Fujii Kunie Sokyoku Jiuta No Sekai 5 | |
| Fukami Satomi - Sokyoku Jiuta Shu - 2 |
Кото : Yonekawa Toshiko II Voice : Fukami Satomi Кото : Fukami Satomi | |
| Japanese Music for Koto and Shakuhachi - 2 |
Кото : Hoshida Miyoshi Кото : Nakamura Sōyō |
| Koto Music of Japan, The |
Кото : Hagiwara Seigin Кото : Mineuchi Ginshō Сякухати : Kikusui Kofū | |
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Music of Spring (Haru-no-kyoku) composed by Yoshizawa Kengyo is one of the important works of the pseudo-classical movement which took place in the nineteenth century. This movement aimed to overcome the modern sentimentality and the concurrent subordination of koto music to shamisen music. The music of the four seasons, including Haru-no-kyoku, are the culmination of this movement.
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| Koto no Miryoku - Disk 2 |
Кото : Yamauchi Kimiko | |
| Masterpieces of the Koto |
Кото : Sawai Tadao |
| Miyagi Michio - Best One | ||
| Nakanoshima Kin'ichi no Koto - Yamada Ryū Sōkyoku |
Кото : Nakanoshima Kin'ichi Сякухати : Nōtomi Haruhiko Voice : Nakanoshima Keiko Кото : Shinagawa Shōzō | |
| Sankyoku Gassō Dai Zenshū (zoku) vol. 12 (続三曲合奏大全集12) |
Сякухати : Mori Kozan Voice : Imai Tsutomu Кото : Imai Tsutomu | |
| Sankyoku Gassō Dai Zenshū vol. 21 (三曲合奏大全集２１) |
Кото : Yuize Shin'ichi Voice : Yuize Masae Сякухати : Ikeda Seizan II Кото : Sakai Utayu | |
| Sō no Shiori (Ikuta Ryū) vol 9 |
Voice : Fujii Kunie Кото : Fujii Kunie Voice : Satō Chikaki Кото : Satō Chikaki | |
| Sōkyoku - Haru no Kyoku / Usu no Koe |
Кото : Nakanoshima Kin'ichi Сякухати : Nōtomi Judō I Voice : Nakanoshima Keiko Кото : Shinagawa Shōzō | |
| Sokyoku Jiuta Taikei 38 |
Кото : Nakashima Yasuko Voice : Yuize Shin'ichi Кото : Yuize Shin'ichi | |